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Aaron Draplin visits Watson Creative

Author
Matt Watson

In July, we had the pleasure of welcoming a longtime friend, creative force, and kindred spirit—Aaron Draplin—to the Watson studio as part of our ongoing Speaker Series.

If you’re in design and you haven’t heard of Draplin, we’d be surprised. But in case you’ve been living off the grid (which, to be fair, Aaron might actually admire), here’s the short version: he’s the founder of Draplin Design Co., co-creator of Field Notes, author of Pretty Much Everything, and a national treasure in Carhartt.

His client list includes Nike, Esquire, Apple, Red Wing, the Obama Administration, and Ford, among others. But what sets Draplin apart isn’t just the work—it’s the thinking behind the work. The intention. The rigor. The relentless defense of clarity over trend-chasing. That’s what brought him to Watson. And that’s what resonated most with our team.

https://www.draplin.com/

“Aaron’s the kind of designer who doesn’t just make—you can see the mileage on his work,” said Matt. “There’s curiosity in it. Muscle. Humor. And a kind of quiet rebellion that never feels performative.”

A Conversation Between Peers

This wasn’t a celebrity drop-in. It was a creative exchange.

Matt Watson and Aaron Draplin have long operated in overlapping circles—each forged in the Pacific Northwest, each shaped by an appreciation for craft, grit, and design that actually means something. There’s real respect between them, not just for each other’s portfolio, but for the philosophy behind it.

The afternoon unfolded more like a studio jam session than a keynote. Aaron rolled in with his iconic orange DDC road case (yes, it’s real), a box of books, and a head full of unfiltered design stories—equal parts insight and irreverence. He walked us through his process, his toolbox, his career trajectory—and maybe most importantly, his values.

Design Thinking in Real Time

This wasn’t a surface-level slideshow. Aaron took us deep into his workflow. Not just what he designs, but how he decides. Every project, every mark, every pixel is rooted in intent. Whether it’s a logo for a mom-and-pop engine repair shop or campaign graphics for the White House, the same rules apply: Be honest. Be useful. Be memorable.

He touched on the power of constraints, the danger of “design for design’s sake,” and the responsibility we carry as communicators. There was a consistent thread of design thinking—not the corporate jargon kind, but the authentic, boots-on-the-ground version: empathetic, iterative, and always aware of its audience.

“Trends fade. Utility doesn’t,” Draplin said at one point, holding up a well-worn Field Notes memo book. “Design should be generous. That’s the job.”

A Creative Culture Moment

It wasn’t lost on anyone that Draplin’s visit wasn’t just a fun afternoon—it was a reminder of why we do what we do. At Watson, we’re not in the business of design for decoration. We’re here to solve problems, spark emotions, and build systems of meaning. That requires collaboration. Curiosity. And once in a while, a reminder that sweat equity still counts for something.

Aaron stayed long after the formal Q&A ended, signing books, handing out swag, and talking shop with our team like we’d known each other for years. That generosity? That’s the stuff that doesn’t show up on a résumé but defines a true creative leader.

We consider Draplin part of the Watson family—and we’re already scheming about ways to collaborate again soon.

See Draplin’s Work

It’s worth a deep dive. Browse his portfolio, pick up a book, or snag a Field Notes memo pad that will outlast your iPhone battery: www.draplin.com